When Matisse was commissioned by the collector Albert C. Barnes (of what became the Barnes Foundation) to create a monumental mural - The Dance - he began to arrange his composition using ... read more
Three decades of the Slovak artist's work, from the 1960s to the 1980s: abstract sculptures in cast plaster, aluminium, wood and stone that use organic forms to explore contrasts - fragile a... read more
"The story of C20th Britain, viewed through the lens of the artists' lives": this is less art history and more an artists' history. A wide-ranging, detailed, sympathetic account, with some p... read more
Blackwell is a remarkable artist who creates astonishing tableaux made of cut-out paper; many of her subjects are taken from fairy tales and she often works with the pages of old books. This... read more
A biography of the sculptor Stephen Tomlin, a man of devastating attractions on the fringes of the Bloomsbury Group who seems to have gone to bed with most of the people he met and then dran... read more
The first was made in 1894, as a thirteen-year-old; the last in 1972. 170 drawings, paintings and photographs, some previously unpublished. Bonafoux has been working on this project for seve... read more
A beguiling approach to the relationship of artists to the sea, looking in detail at single works by ten artists: from Vanessa Bell's Studland Beach and Paul Nash's Winter Sea, via Alfred Wa... read more
Modigliani's changing style, looking at the collection of his work in the Barnes Foundation as well as paintings from private collections and institutions around the world.
A very clever debut from a distinguished hand in the art world: a Cambridge don rather stuck in his ways is repelled by an outbreak of modern art in his quad. Wafted on a cloud of academic d... read more
A charming self-published book about Great Bardfield, the Essex village that became home to several artists, including Ravilious and Bawden; like a picture within a picture, it's also about ... read more
A collection of fables by the Spanish writer who won the Nobel Prize in 1989, the Cervantes Prize, the Premio Planeta, etc. Published in Palma de Mallorca in an edition of 2,135 copies, with... read more
Why was Cezanne revered by Rilke and Beckett, Picasso and Matisse? And does that early modernity speak to us now? An illustrated, ravishing study of Cezanne's uneasy art by the great emeritu... read more
AdeC is a superb social historian and here she has found a subject supremely worthy of her skill. Her cast here comprises Wyndham Lewis, Aldous Huxley, Tristan Tzara, Ezra Pound, Louis Arago... read more
This long interview, recorded with the Swiss critic Pierre Courthion when the artist was recovering from an operation in bed during the Nazi Occupation, was never published - until now.
Looks at the paintings from New York in the 1940s that precede the sculpture for which she is better known. Accompanies exhibition at the Met, April-Aug 2022.
First volume of Freud's letters - irreverent, affectionate, scurrilous - reproduced in facsimile. Many illustrations and beautifully produced in dun cloth.
A survey of this pioneering and serene colourist (1885-1965), who eschewed '-isms' and quietly got on with his work - much of it plein air. Early impressionistic impastos quickly give way to... read more
This staggering account of corruption in the art world began when RD was approached in 2003 by Hockney, who had recently had two Warhol pictures denounced as fakes.
Vol 1 was shortlisted last year for the Baillie Gifford Prize. WF knew Freud extremely well; he chronicles the colourful private life and pictures with detachment.
A memoir of the artist and of the author's friendship with him, part biography, part art criticism. Their friendship and this book cover the latter part of Guston's life, when his late work ... read more
A day with Monet - and his wife, children and grand-children - from before dawn to sundown - in the house and garden at Giverny. Figes' achievement in this novella is her delicate layering o... read more
Accompanies a major retrospective at MoMA of her drawings, prints and sculptures. Few have portrayed human anguish so convincingly, with lines etched so hard they seem to ache.